Monmouth past and present

Back in 1972, a historical drama series was made for British television. Filling a Sunday teatime slot, it was family viewing. It was of particular interest in our village because it had been filmed on moorland to the west of the village and local people had been cast among the extras, one of whom was said to have given a momentary, but convincing, performance of dying in battle.  The drama series was set against the background of the 1685 rebellion of the Duke of Monmouth who wished to gain the throne of James II in England. Monmouth’s rising became known in retrospect as the “pitchfork rebellion.”

Much of Monmouth’s  army were ill-equipped Somerset peasant farmers who had nothing by way of military training, they were men without a hope of military victory when they were faced with the army of King James II at the Battle of Sedgemoor on 6th July 1685. Hundreds of them were cut down by musket and artillery fire.

The battle was only the beginning of a tragic period in Somerset history, it was followed by the “Bloody Assizes” of Judge Jeffreys, in which more than 300 of Monmouth’s ragged band were condemned to death.

The television series The Pretenders had been much anticipated in our community, but it came as a shock to an eleven year old boy who had grown up on Disney stories, commando comics, and Second World War films on our black and white television. For the first time there was a realisation that the people we believed to be the good guys didn’t always win.

The history lesson of those distant Sunday evenings is recalled each time Lyme Regis is visited. “Monmouth Beach,” the stretch of shoreline to the west of the Cobb was the landing place of the Duke of Monmouth, the pretender.

Schoolboys now would not be surprised that history was not a matter of “our side” winning. Readers of the Horrible Histories series of books would be aware of dimensions of history that would never have been mentioned in the history learned five decades ago. Editing out the unpleasant and the unpalatable is not an option when people, places and events can be instantly Googled, when there is a YouTube video of every horror.

History did not correspond to the schoolboy perceptions of 1972, those perceptions probably seem as naive to a schoolboy today as fairy tales seemed to those of us who watched The Pretenders.

Monmouth Beach

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Facing down forms

“Missing bicycles,” the title of yesterday’s post, prompted an association as far from yesterday’s subject of the Tour de France as might be possible. It recalled one of my favourite passages from the works of Flann O’Brien, a conversation in the surreal novel The Third Policeman.

The protagonist encounters a police officer who could match the most mendacious of politicians in his capacity for obfuscation.

Sergeant Pluck is a man who likes the dull and routine and the uneventful. He is a policeman who is never more happy than when life is about bicycles, or dog licences or papers for bulls. A world about such my mundane things is his idea of a good place:

“Is it about a bicycle?” he asked.

His expression when I encountered it was unexpectedly reassuring. His face was gross and far from beautiful but he had modified and assembled his various unpleasant features in some skilful way so that they expressed to me good nature, politeness and infinite patience. In the front of his peaked official cap was an important-looking badge and over it in golden letters was the word SERGEANT. It was Sergeant Pluck himself.

“No,” I answered, stretching forth my hand to lean with it against the counter. The Sergeant looked at me incredulously.

“Are you sure?” he asked.

“Certain.”

“Not about a motor-cycle?”

“No.”

“One with overhead valves and a dynamo for light? Or with racing handle-bars?”

“No.”

“In that circumstantial eventuality there can be no question of a motor-bicycle,” he said. He looked surprised and puzzled and leaned sideways on the counter on the prop of his left elbow, putting the knuckles of his right hand between his yellow teeth and raising three enormous wrinkles of perplexity on his forehead. I decided now that he was a simple man and that I would have no difficulty in dealing with him exactly as I desired and finding out from him what had happened to the black box. I did not understand clearly the reason for his questions about bicycles but I made up my mind to answer everything carefully, to bide my time and to be cunning in all my dealings with him. He moved away abstractedly, came back and handed me a bundle of differently-coloured papers which looked like application forms for bull-licences and dog-licences and the like.

“It would be no harm if you filled up these forms,” he said. “Tell me,” he continued, “would it be true that you are an itinerant dentist and that you came on a tricycle?”

“It would not,” I replied.

“On a patent tandem?”

“No.”

“Dentists are an unpredictable coterie of people,” he said. “Do you tell me it was a velocipede or a penny-farthing?”

“I do not,” I said evenly. He gave me a long searching look as if to see whether I was serious in what I was saying, again wrinkling up his brow.

“Then maybe you are no dentist at all,” he said, “but only a man after a dog licence or papers for a bull?”

“I did not say I was a dentist,” I said sharply, “and I did not say anything about a bull.”

The Sergeant looked at me incredulously.

Flann O’Brien’s satire worked so successfully because his readers recognised in his tales expressions of the truth. Officials similar to Sergeant Pluck may be encountered within every society, even more so with the capacity for bureaucratic empire building created by the Covid-19 crisis. The question that has to be faced is whether one succumbs to the bundles of different coloured forms, or chooses to stand up to the Sergeant Plucks.

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Missing bicycles

There were withdrawal symptoms today.

The past three weeks have been filled with the Tour de France. If time permitted, I would go into Steve, my colleague’s classroom at the end of the school day. He would open the ITV hub on his desktop computer and switch on his media projector and we would spend half an hour drinking tea and watching the progress of the cycling. The Champs Elysees were reached yesterday and our viewing has come to an end.

I’m not even sure how I developed an interest in the Tour de France. It was hardly an interest in cycling itself. Never possessing more than a pushbike that might manage twelve miles an hour, going downhill with a following wind, there was never a question of being an aspirant racer.

Even in teenage years in the 1970s, a decade or so before a British television channel would bring evening by evening reports of the race, Le Tour had a fascination that was difficult to explain. Reports were not plentiful, sometimes it was necessary to scan columns of miscellaneous sports results to discover how Barry Hoban was faring (never once having seen live coverage of Hoban did not mean he wasn’t a heroic figure).

Perhaps if the race had been through another country, it would not have possessed such a capacity to fascinate, but it was France. The country through which the peloton rode for three weeks was a place altogether different from the dull England of the 1970s in which I lived.

Perhaps France was not a happier place than England. Hadn’t it had its own problems in 1968? But for someone growing up in a small rural Somerset community distant from the nearest city and without a hope of travel, France represented a glamour and a sophistication and a quality of life of which we could only dream.

Holidays in France from 1986 onward prompted a greater interest. Channel 4’s thirty minute daily coverage brought glimpses of places never seen on brief visits. The extensive live coverage of more recent times, with kilometre after kilometre of Gallic landscapes, towns and villages, would have seemed like a holiday video recording of roads travelled.

Fifty years after the racing days of Barry Hoban, the Tour de France has not lost any of its mystique. The race passes through some of the most outstandingly attractive parts of the country and the television coverage, which includes aerial views, captures a France of the imagination. Even now, it seems a place that is different.

For three weeks, that different place was not so far away.

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Novelty earworms

Since last week’s news story about businessman Toddington Harper’s plans to radically improve the electric charging points at motorway service stations, an earworm has remained.

The BBC reports that Toddington’s parents named him after the service station on the M1 motorway, although the service station derives its name from the nearby medieval village, so it is a name of some antiquity.

Anyway, the name of Toddington service station recalled an annoying lyric from a novelty pop song of the 1970s:

I’d tried Newport Pagnell, Toddington and even Watford Gap
But after so many eggs and chips and sausage and beans,
What I really needed was a nap.

I have no recall of hearing those lines since the song was in the charts, and an online search revealed that it was in 1976 that BBC Radio 1 DJs Dave Lee Travis and Paul Burnett released Convoy: GB, a parody of C.W. McCall’s 1975 hit Convoy, which was itself a novelty song.

C.W. McCall was the stage name of country singer William Dale Fries Jr. and Convoy is a tale in truckers’ CB radio patois of a journey across the United States in which the drivers defy the regulations on speed, the weight of loads, and the payment of tolls.

Convoy: GB was attributed to a band called Laurie Lingo and the Dipsticks. It was a piece of silliness which nonetheless made No 4 in the charts when having a Top Ten hit demanded substantial sales.

Novelty songs were popular in 1976.  Sometimes the parody versions could be more popular than the songs they had parodied. The Wurzels reached No 1 with Combine Harvester, their parody of Melanie’s 1971 hit Brand New Key, which had reached No 4.

It is hard now to imagine a novelty song achieving such levels of popularity, certainly it is hard to imagine them remaining in the memory of listeners some forty-five years after they were released.

In retrospect, it seems odd that people went to record stores and bought 7 inch recordings of novelty songs. In 1976, money was not plentiful and singles would have been played dozens of times. Some people talk of playing records so often that they were physically worn out. There are many such songs that might have been humorous on the first or second or third play, but would the lines of Laurie Lingo and the Dipsticks have been just as funny on the twelfth or the twentieth play?

The annoying thing is that the voices of Dave Lee Travis and Paul Burnett remain fresh in the memory, as do the voices of Joe Dolce, the Baron Knights, and numerous other novelty artists.

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Village scenes

Drive southward from Tewkesbury and turn off the A38 at The Odessa Inn and the road to Bishop’s Cleeve takes you through Tredington, a small village with a Twelfth Century church and medieval farm houses.

The warm days have brought misty mornings and driving through the village at 6.45 am there was a moment of timelessness. The timber-framed Tudor buildings provided a frame for a glimpse of the Tudor wooden tower of the church.

Had it not been a journey to work, had there not been a need to prepare for cover lessons, there would have been an inclination to have stopped and to have savoured the silent ambience, perhaps to try to photograph the scene, although no picture could have captured the coolness of the misty morning, the calmness of a place unchanged in generations.

It is 550 years since King Edward IV rode past the church on his way to battle at nearby Tewkesbury where his Yorkist army destroyed the Lancastrian forces. The seventeen year old Lancastrian heir to the throne, Edward, Prince of Wales, was among the dead.

Would the stories of the battle have been passed down through the generations? Would children of Tredington have heard tales of the king’s army passing among the houses in which they lived? Would there have been an oral tradition that recounted the bloody realities of the aftermath of the conflict? Would memories have been passed down of Lancastrian nobles being dragged from the abbey, where they had sought sanctuary, to face short trials and summary executions? Would old people’s recollections of the noise of battle have chilled listeners centuries later?

Tredington is a place where the past feels present, a place of beauty, but perhaps that is a modern perception.

Had one been a farm labourer in many of the eight hundred years or so since the church was built, would the village have seemed beautiful, or would it have seemed just another village among the countless others in Gloucestershire? Would the manor houses have seemed attractive buildings or would they have represented a world that a labouring man might only have imagined? Did some of the farms of the village sometimes seem to be places that were as oppressive as some of the mills came to be seen in the Nineteenth Century?

Scenes created by summer morning mists can conceal thoughts of the historical realities of hardship and violence in a small corner of Gloucestershire.

 

 

 

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